Writing has a trajectory. You begin with an assignment or a desire to write, and you end with a final product. The in-between parts vary substantially from person to person and even task to task, which means that you may have multiple processes. But the overall trajectory for writing tasks is similar enough that we can talk about it.

You may have seen diagrams of the process that look something like the one on the right. It’s a bit over simplified, but in general, the writing process has frequently been described in relatively linear terms as a movement from prewriting to drafting to revising to editing and proofreading.

You may also have heard that this process is recursive. This means that writers frequently go back to earlier stages when, for example, they discover a new idea that needs additional prewriting and drafting work before it can be incorporated in a revision. Sometimes such recursion will appear as arrows linking the stages in reverse.

Some models will include feedback from readers, usually in between the drafting and revising stage. Feedback at this stage usually helps writers refine their drafts and produce better revisions.

This image presents a relatively neat process, and it implies that if you just follow the steps, you’ll come out with a finished project. But the process is rarely this neat—or even neat at all.

Compare this with the model depicted in the image below.

The trajectory stays the same (assignment to final version), but there can be a lot of variation as we move through the “stages” in between:

• Some writers like to get their ideas out on paper or screen quickly, collapsing prewriting into writing and revising.
• Some writers like to think long and hard about what they are going to write before ever touching the keyboard.
• Some writers like to write the perfect introduction before they do anything else.
• Some like to skip the introduction until the end of the first draft.
• Some want to read everything they are going to write about first; some want to read as they go.

None of these approaches is “right” or “wrong.”

This text describes a writing process trajectory as represented in this image. At each “stage,” I present a range of techniques and strategies for that kind of work.

As you use this text, try focusing more on what you are trying to accomplish by writing instead of the order of the stages. While it is important to keep making progress on an assignment, it is actually more important to recognize, for example, whether you are ready to revise or whether you need to go back to the assignment itself to focus on your purpose.

With each of the strategies I suggest, your mileage may vary. My recommendation is that you try them with an open mind, particularly the ones that your instructor recommends. Be ready to consider approaches that have not worked for you in the past or that you have never tried. You might find something new that will help you write more successfully.

Economy vs. Copia

Before we get too far into “the process,” I want to think about general attitudes and habits toward writing.

Let’s start with the “I hate writing” attitude that quite a few students have expressed to me over the years. If you hate writing now, I’m not going to promise that you’ll come out on the other side of this text or this course loving writing—or even necessarily hating it less. But I have designed this book to help you feel more comfortable with writing because you’ll know more about how to succeed in the writing tasks that you’ll be given in college.

Even if you don’t hate writing, you may have developed an attitude or habit around writing that is particularly harmful: economy in writing. Students are very busy people. Technically, if you are taking a full load of courses, you should be working more than forty hours a week on your academics. As a result, students tend to think that they should only write only to the minimum word count and then stop.

Students who write economically rarely produce more than a first draft. Remember what I said about one-night wonders? Those first drafts might be good enough, but they won’t be your best work. Not everything in our first drafts is really that good. In the process of writing this book, for example, I have probably thrown out nearly as many words as I have written—if not more.

In an economic approach, you end up turning in subpar work, keeping words you have produced just because you have produced them.

In copia (from Latin, meaning “abundance”), writers write a lot. They produce words freely, writing more than the assignment requires so that they can find the best 900 words in the 1500 that they have produced. When writers—including students—take this approach, we are able to produce better writing because we have more to choose from.

One key thing to know here is that copia doesn’t really take more time than economy. If you have ever written economically, think about how long you stared at a blank screen or piece of paper, agonizing over what to say and how to say it “right.” You probably didn’t save any time over jumping in and writing whatever you were thinking, even if those thoughts weren’t very coherent and didn’t quite fit into the project at hand.

If you had jumped in and started writing, you might have pushed your thinking into better territory faster, and some of what you wrote might have actually been good enough for your final version, even if you ended up throwing out a bunch of words.

If you have been an economic writer in the past, this might be a good moment for change.

Media Attribution

“Fast Fingers” by Katie Krueger is licensed under CC BY-NC 2.0