Chapter 8: Genres of the Baroque Period

Genres of the Baroque Period

Much great music was composed during the Baroque period, and many of the most famous composers of the day were extremely prolific. To approach this music, we’ll break the historical era into the early period (the first seventy-five years or so) and the late period (from roughly 1675 to 1750). Both periods contain vocal music and instrumental music.

Baroque Vocal Genres

The main genres of the early Baroque vocal music are: madrigal, motet, and opera. The main genres of late Baroque vocal music are: Italian opera seria, oratorio, and the church cantata (which was rooted in the Lutheran chorale, already discussed in chapter three). Many of these genres will be discussed later in the chapter.

The two large vocal/choral genres of the Baroque period were sacred works and opera. Two forms of sacred choral works include the oratorio and the Mass.

The oratorio is an opera without all the acting. Oratorios tell a story using a cast of characters who speak parts and may include recitative (speak singing) and arias (sung solos). The production is performed to the audience without the performers interacting. The Mass served as the core of the Catholic religious service and commemorates the Last Supper.

Opera synthesizes theatrical performance and music, much like today’s musical theatre. Opera cast members act and interact with each other. Types of vocal selections utilized in an opera include recitative and aria. Smaller ensembles (duets, trios etc.) and choruses are used in opera productions.

The beginning of the Baroque Period is in many ways synonymous with the birth of opera. Music drama had existed since the Middle Ages (and perhaps even earlier), but around 1600, noblemen increasingly sponsored experiments that combined singing, instrumental music, and drama in new ways. Renaissance Humanism led to new interest in ancient Greece and Rome. Scholars as well as educated noblemen read descriptions of the emotional power of ancient dramas, such as those by Sophocles, which began and ended with choruses. One particularly active group of scholars and aristocrats interested in the ancient world was the Florentine Camerata, so called because they met in the rooms (or camerata) of a nobleman in Florence, Italy. This group, which included Vicenzo Galilei, father of Galileo Galilei, speculated that the reason for ancient drama’s being so moving was its having been entirely sung to a sort of declamatory style that was midway between speech and song. Although today we believe that actually only the choruses of ancient drama were sung, these circa 1600 beliefs led to collaborations with musicians and the development of opera.

Less than impressed by the emotional impact of the rule-driven polyphonic church music of the Renaissance, members of the Florentine Camerata argued that a simple melody supported by sparse accompaniment would be more moving. They identified a style that they called recitative, in which a single individual would sing a melody line that follows the inflections and rhythms of speech (see figure one with an excerpt of basso continuo). This individual would be accompanied by just one or two instruments: a keyboard instrument, such as a harpsichord or small organ, or a plucked string instrument, such as the lute. The accompaniment was called the basso continuo.

Baroque Instrumental Genres

The main genres of early Baroque instrumental music include the canzona (also known as the sonata) and suite. The main genres of the late Baroque instrumental music are the concerto, fugue, and suite.

Solo music of the Baroque era was composed for all the different types of instruments but with a major emphasis on violin and keyboard. The common term for a solo instrumental work is sonata. Please note that the non-keyboard solo instrument is usually accompanied by a keyboard, such as an organ, harpsichord or clavichord.

Small ensembles are basically named in regard to the number of performers in each (trio = three performers, etc.). The most common and popular small ensemble during the Baroque period was the trio sonata. These trios feature two melody instruments (usually violins) accompanied by basso continuo (considered the third single member of the trio).

The large ensembles genre can be divided into two subcategories, orchestral and vocal. The concerto was the leading form of large ensemble orchestral music. Concerto featured two voices, that of the orchestra and that of either a solo instrument or small ensemble. Throughout the piece, the two voices would play together and independently, through conversation, imitation, and in contrast with one another. A concerto that pairs the orchestra with a small ensemble is called a concerto grosso and a concert that pairs the orchestra with a solo instrument is called a solo concerto.

The two large vocal/choral genres for the Baroque period were sacred works and opera. Two forms of the sacred choral works include the oratorio and the mass. The oratorio is an opera without all the acting. Oratorios tell a story using a cast of characters who speak parts and may include recitative (speak singing) and arias (sung solos). The production is performed to the audience without the performers interacting. The Mass served as the core of the Catholic religious service and commemorates the Last Supper. Opera synthesizes theatrical performance and music. Opera cast members act and interact with each other. Types of vocal selections utilized in an opera include recitative and aria. Smaller ensembles (duets, trios etc.) and choruses are used in opera productions.